A Study in Choreography for Camera (1945)
(with Talley Beatty)
"The movement of the dancer creates a geography that never was. With the turn of the foot, he makes neighbors of distant places. Being a film ritual, it is achieved not in spatial terms alone, but in terms of a Time created by the camera."
Click here to read Erin Brannigan's essay on Maya Deren and the history of film utilising choreographic content and form.